Retro Friday Review: And Both Were Young by Madeleine L'Engle

Retro Friday is a weekly meme hosted here at Angieville and focuses on reviewing books from the past. This can be an old favorite, an under-the-radar book you think deserves more attention, something woefully out of print, etc. Everyone is welcome to join in at any time! I include roundups from participating bloggers in my post every week.

I think this may have been the last Madeleine L'Engle book I read (for the first time) as a teenager. And for some reason it holds a sort of distinction in my head because of that fact. I, like most other readers I know who love her books, got in on the whole thing with A Wrinkle in Time, moving on to the other Murry and O'Keefe family books and then the Austin family series and so on from there. I must have been somewhere around ten or so when I first read the Time series and by the time I got through all the others and worked my way around to her standalones I was a bit older. Although one of my very favorite things about her body of young adult work is that there are so many connections between them. And while And Both Were Young is probably one of the most standalone of them all, for the discerning reader there is a very lovely, very oblique reference to its main character in L'Engle's much later novel A Severed Wasp. Interestingly, I don't think I ever realized just how old this book is. Originally published in 1949, it was actually her first young adult novel. Incidentally, my copy features the cover on the left. I chose this book for today's edition of Retro Friday because the lovely new edition on the right was just released on Tuesday and, as it is one of my very favorite of L'Engle's books, I wanted to highlight it here while I convince my local bookshop to order a copy into the store. 


Phillipa Hunter, better known as Flip (oh, how much I love this), never wanted to leave her father and her Connecticut home to come to a Swiss boarding school. That was her father's new "friend" Eunice's bright idea. Since her mother passed away, Flip has grown even closer to her artist father and the idea of leaving him and attending a foreign school among a host of strange other girls terrifies her. But her father is bound for China to draw and Eunice is traveling with him instead of Flip. And so Flip tries to hide her trembling and put on a brave face for her father's sake. But boarding school is just as alien and difficult as she feared. Though the girls hail from all over the globe, Flip finds it hard to fit in. Long-limbed and lacking in coordination, she watches her fellow students from the sidelines and prays for the year to be up soon.  The one bright spot in the gloom is her art teacher Percy--a young woman who seems to understand Flip's solitude and need to filter her kaleidoscopic emotions through some sort of creative act. Then one day out exploring further than she ought to be above the school grounds, Flip runs into a young man named Paul. Paul lives with his father in a small cottage not far from the school. These two dispossessed young teenagers form a friendship and, in the process, find the kind of acceptance and understanding in each other that they've been searching for. 


Flip is the kind of foot-in-her-mouth, arms-and-legs-everywhere protagonist that I connected with instantly as a teen reader. I loved her for her haplessness and the way that she just kept on stumbling through her outer coating of awkward to a place where she could voice her thoughts and experiences so that someone else could see them and appreciate her for who she was. In my eyes, that made her admirable--that drive to keep going despite the many misconceptions and deliberate slights of those around her. That was what was so hard for me at that age, and I like to think I drew a little strength from watching her try and fail and try again and succeed. It helped that her interactions with Percy were so poignant, particularly in the wake of having lost her mother and being without her father. The other girls at the school were especially well done as well. At first you think they will be mere stereotypical characterizations, the way Flip almost expects them to be, but they each emerge from their initial roles to play an important part in Flip's development. And then there's Paul. Lovely Paul. He has long reminded me of Jeff Greene from A Solitary Blue and a kinder, less destructive Zachary Grey. Yes. You will fall in love with Paul just as much as Flip does. And the even more gratifying thing is that the story is not just about Flip's journey to self-discovery, but Paul's as well. It's not all the way he fills her needs, but how she fills his as he has an unusually dark past that he is rather successfully steadfastly refusing to deal with until Flip comes along. This is an eternally sweet and moving book. Like so many of L'Engle's books, I turn to this one when I want to be reminded that the world and the people in it can be beautiful despite the darkness. 


Linkage
Bookworm Burrow Review


Retro Friday Roundup
Bookworm Nation reviews Summers at Castle Auburn by Sharon Shinn