Jane Eliot survived the Great War. They don't call it a victory as the Fey just up and disappeared rather than outright lost. But the humans who survived are altered beyond recognition. Some of them inwardly and some of them (like Jane) very much outwardly. Those struck by Fey fire during the war bear a curse. The curse not only affects the victim but spills out from the site of the wound onto all those they come into contact with. Each curse is different. For Jane, it is rage. From the jagged scars on her face that never heal, rages pours through her and onto those she encounters. That is until she stumbles across the Foundry. There ironworkers create what they call ironskin. These pieces of iron attach to their bodies over the wounds, sealing them in, preventing the curses from affecting passersby. And so Jane wears a mask, and all the rage is bottled inside. Nevertheless, when she applies for a job taking care of the reclusive Mr. Rochart's daughter Dorie, she does cherish some small hope that in this wild, remote location she might find a place where she could belong. Of course, Mr. Rochart, his daughter, and the entire household are so strange that Jane begins to feel the normal one. Despite her mask and veil. Despite the rage boiling under her skin. For something very wrong lurks behind the doors of her new home and Jane may find her mask is not the only one keeping curses at bay.
This is a fantastic setup. I found myself instantly caught up in the whole notion of the ironskin, of seeping curses from fey wounds, of Jane filled with an unnatural post-war rage. I even enjoyed Connolly's revisionist version of Mr. Rochart's uber-creepy secret. The whole world, its history, the way it was peopled, and the horrors they bore set my imagination racing. I couldn't wait to watch it play out. But then it . . . didn't. Unfortunately, I felt as though the writing itself never matched up to the premise, which was grandly dark. The words just plodded along, never rising above serviceable, never engaging in an organic way with the world's potential to really give the story wings. Add to that the fact that the characterization just stagnated after the beginning. Jane herself is primed to be a force in her own story, yet she remains flat throughout. Mr. Rochart comes off as a mere placeholder, and I felt as though I was waiting the entire novel for the "real" Mr. Rochart to reveal himself, or at least make an entrance on stage. No such luck. And without any actual chemistry between those two key players, it's quite
Ironskin is due out October 2nd.
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